I wrote this one with Bill Whyte and Nathan Woodard. Nathan is on vocals.

This is a liberation song that I recorded both a male and female version of to increase pitch ops. This is the male version with Tim Buppert doing vocals.

I wrote June after accepting the fact that you can't hold onto something forever. But just like the month of June goes, there is always another June coming. Always another year coming. But you have to pass the other 11 months.

Surviving reflecting

Wrote this Southern Gospel song with the very talented (and hard working) Kenna West and Jason Cox. I'm still figuring out this genre, and I'm thankful for them keeping me between the guardrails!

woke up with this title in my head and it was like I had to write it. The title is unique, if not the idea and I decided to put it to a sort r&b/ reggae feel, with the help of the world's oldest drum machine!

The session for tracking this demo was fun. It has been awhile since I've used Joe Spivey on fiddle and Mike Johnson on steel. You don't find any better than those two! I had forgotten how much fun it is, and how much I love traditional country. This song was written in the hopes of pitching to artists such as Midland, Joe Nichols, Blake Shelton, etc.

Mid tempo song written in the styling of Merle Haggard, but with a retro Chris Stapleton feel. The picture is of my uncle Tom (on the right) who lives on his farm in Bradley, Arkansas and just turned 95 and still going strong.

I wrote this with Chris Hennessee and Jaron Boyer.